HOW I GOT HERE 2014, AND I NEVER LOOKED BACK
My first wedding was supposed to be a favour. I finished the day exhausted, with a camera battery on empty and the strange feeling that I had just found the thing I was going to do for a very long time. Twelve years later I still get emotional when the father sees his daughter in the wedding dress for the first time. The day I stop feeling that, I'll do something else. Until then, this is the job.
WHAT WORKING TOGETHER LOOKS LIKE FROM THE FIRST MESSAGE TO YOUR ALBUM
We talk long before the wedding day, so that by the time I show up you already know me. On the day I handle the technical side and you handle being present. I shoot across Romania and anywhere else you decide to say yes, and I have the reviews and the mileage to back it up. At the end of the night I want you to feel you had a person next to you, not a supplier with expensive gear. Tell me your date and venue and I'll tell you if I'm free.
THE PERSON BEHIND THE CAMERA BECAUSE YOU ARE HIRING ONE
I run about 100km a month, which turns out to be useful when I have to get from the church door to the back of the venue in thirty seconds. I travel every chance I get and come back with more airport photos than landmarks. My favourite evenings are the least spectacular ones: my wife, a glass of wine, candles on the table. That is probably why I spot the good moments at your wedding so fast. They look exactly the same.
